Artista, MIA Fair 2023 @ Roya Khadjavi Projects

Maryam Palizgir, Claustrophobia, 2022

Courtesy: Roya Khadjavi Projects

Collage fotografico, Legno, Rame, Pianta essiccata
Photo collage, Wood, Copper, Dried plant
Dimensioni / Size: 12x16 inches
Edizione / Edition: Unique

Contattare Roya Khadjavi Projects per il prezzo.
Please contact Roya Khadjavi Projects for the price.

Maryam Palizgir

New York @ United States

Maryam Palizgir is a NYC based artist whose practice is an amalgam of subject matter process study and material manipulation of forms in space. She scans spatial Perspective in urban/rural architectures as a way of identifying and predicting forms in space and the interconnectedness of various spaces with human presence. To her, the “process” of making is as important as the final piece. She works in a variety of mediums and her process involves deconstructing and reconstructing an image, object, or matter through material manipulation. She intends to focus on the complexity of space by scenography of constructed space that allows her to investigate through forms, light, color, reflection, and refractions. Through her Minimalist abstraction language, Palizgir blurs the boundaries between photography, painting, and architecture. Her visual language draws from the urban/rural landscape as well as geometric patterns from traditional Islamic art and architecture. Exploring the ways we exchange knowledge, and how perception widens our perspective, and how observation deepens our understanding of the reality in which we live. She challenges viewers’ perceptions and seeks works of art that activate once the viewer is involved.
The material study steers her to think about the flexibility of materials. Palizgir has been working with multi-layered industrial materials like fiberglass screen mesh, reflective sheets, natural and artificial light, and acrylic paint. The net visual embodiment of her installation creates a transition of dimensionality, depicting the state of ephemerality and constant change, combined with the possibility of the viewers’ displacement.


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Maryam Palizgir, Claustrophobia, 2022